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Just a couple of doodley-doos documenting my last trip to the beach.
Fat Guy surfing.
Old guy surfing.
Mick was right. What a drag it is.
Sniff.
T
A distinguished symposium on such high-minded intellectual pursuits as cartoons, farts, and boobies.
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I was reminded recently of something I recently told a fellow – a particularly penny-pinching pinhead who grilled me for over an hour trying to get a sack of gold for a sack of nickels.
At the limit of my patience, I said this: “We’re not Wal Mart – we’re more like Old Navy.”
Now, we work cheap, there’s no doubt about that. But we don’t have the resources, the cunning or the utter lack of ethics required to manipulate hard work out of desperate, hungry animators for a few coins and some lint – so we’re probably not the cheapest Studio. But we do aspire to making cartoons that aren’t revolting to watch… “great” would be nice, but we’ll take not revolting.
Much in the same way Old Navy clothes aren’t utterly revolting to look at.
Now you may have some kind of “fashion sense” or “style” that far exceeds mine (like that’s hard – I invented the Mullet) but in general, it seems Old Navy duds hold their own, as long as you’re not hanging out at Country Clubs or.. well any clubs.
And if you can’t afford to shop at uber-casual outlets like Banana Republic, or Tommy Hilfiger or Needless Markup (I’m looking at you, career animators), but you’re not willing to contribute to the slow painful death of America (by shopping at Wal Mart), Old Navy is much appreciated.
I like to think of Flinch as the Old Navy of animation. Mock me if you must, but have you seen their commercials? Not the old ones with the silly songs and the 80’s has-beens, the new, sexy ones with the pretty girls! And people talk about how sex sells… I don’t know if sex sells to me, but it makes me stop fast-forwarding for a few seconds.
And that’s exactly what we try to do, get you to stop fast forwarding for a few seconds – just apply that to whatever metaphor comes to mind. That’s our goal for now – to do that and get paid.
When we get some traction, we’ll be going for the JC Penny crown!

I don't know what made me more excited, the gift or the fact that he's reading my blog.





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Though I had developed a basic story outline to work from, Inspector McCloud’s script was Quasi-Improvised by the voice talent. Incorporating improvisation into the voice mix is nothing new, but we actually wrote most of the dialogue on the spot, as a group, and over-packed the tiny recording booth to lay it down in groups - which explains the less-than-stellar audio quality (something I do not usually allow, but the results are worth it in this case).
Daniel Cohen Plays Dirty Diaper Dan
The McCloud cast consists of a handful of scalawags from the
For several years, we had been discussing the idea of doing an improvised animation piece – just a handful of people in a room knocking out funny ideas and then running into the booth to serve them up while they’re warm. Problem is, once the recording is done, I get to slave over the animation for weeks while everyone goes on with their lives. Inspector McCloud gave me the opportunity to get paid to do it.
Because of their enormous contribution to the development of the characters and scenes, the voice artists (David Knoell, Jim Acamondo, Autumn Alexander, Steve Grogan, Daniel Cohen and Chrissy Keihl) have also earned writing credits.The show truly would not be been the same without them.
Along with my brothers Jerry and Stephen Grillo, the cast helped to shape the characters and the sequences as they will ultimately play out. Again, you may see this sort of thing going on a lot within certain creative circles, but for a small, work-for-hire studio like ours, it was a special treat to have a client remain open to this process.
And John is an awesome client. He understands the limitations of our budget, and has given me enough rope – er, I mean room to build it the way I want to. One of the best decisions I made was to bring this group of very talented people on board to help shape the script. Not only did they remain focused on the elements that would bring the characters forward and tell the story, but they brought some amazing voices to the piece.

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Research is a major part of project development, and most of the time you can get away with what Google has to offer… but
I love travel, I just hate the traveling part. But seeing other parts of the country (and world) is awesome, even when it’s for business.

I really don’t care about driving a sweet car. This is not a lie. I like comfort, pep, and a sweet CD player if I can get them, but I’m just happy if it doesn’t break down between the airport and the first taco stand I see. Sexy body design means nothing. Cars should not be chick magnets.
That said, check out the sweet car they rented to me when I was in
It’s some kind of mustang, I believe.
I don’t know what mistake led to this free upgrade from a Ford Fiesta, but I was apparently the first customer to drive it, and didn’t have to pay for it (unless you count the bruises I got on my knees every time I got out of the cramped cockpit).
Coming to Laredo was a fun and educational experience, and not even remotely a waste of time. I derive much of my story inspiration from locations for some reason, so it helps to have been there and know the zone I’m writing about, whether on not I am representing it successfully.
My client, John, was kind enough to take time off to show me around town, to all of the battle fronts where the Stormwater war is being waged. He also gave me a pretty thick history lesson on
One of my goals for this trip was to get a couple of voice references for Inspector McCloud. Because I wanted to nail the border-town Mexican accent, I had planned to get the appropriate people to speak to my camera somehow… but I am unfortunately shy about asking strangers for such performances.
In my last few hours however, I walked into a local history museum and found that he curator had exactly the voice I imagined for Inspector McCloud. I managed to coax him into giving me the rundown on some key local historical figures (a couple of the Zapata boys among them) while I videotaped him. Under the pretext of consuming a history lesson, I got the voice reference I was looking for.
Another goal was to snap tons of photos. I knew that our story would evolve, and I wanted to make sure I was covering every angle. Here are some images that help contribute to our look and our story:
When you’re afflicted with whatever condition causes me to be a scatterbrain, you have to come to terms with the fact that, no matter how many checklists you make, you will forget something important. When the time came to depict the Environmental Services Department building, the HQ of Inspector McCloud, I realized I had not taken a single photo of the place, despite having been there 3 times. Not really a serious problem as long as you don’t plan on using establishing shots. Which would be stupid.
Thank God for
And here’s the rough BG rough that came from it.
Now it's on to production! Next time around, I’ll talk a little bit about the writing & Voice recording process.
T
It's official: Nickelodeon has become the Spongebob channel. Have you seen the lineup? It's the Spongebob Christmas special followed by 2 Spongebobs, followed by a Spongebob Marathon.
And rightfully so, I suppose. Has there been a kids TV show more A-A-A-A-Awesome in the last 10 years than Spongebob?
You can argue otherwise, I won’t engage you sir, but it’s no wonder Spongebob is now to Nickelodeon what Homer Simpson has been to Fox for 18 years and counting: the flagship show. Upon the realization, I was inspired to create this abomination:
Still, it’s a little unnerving. What's really sick is that I'm almost always tempted to watch it. Damn little sponge is just so much fun to watch, and it's not like my kid would ever steer me away to something more... substantial. Thank god for the wife.
You may remember this particular by-product of my obsession.
The question is this: how many more episodes of Spongebob will need to be produced before Nick can realistically fill their programming schedule with nonstop Spongebob? And would we need to give Sandy her own spin-off to help fill the slate? And would that show any good?
You don't have to think about it if you don't want to. I will be focusing on it intently enough for us all.
T